History for the Horse: REGAL COMMAND
| Center | RNo | Date | Odds | Cl | Dist | AR | A/S | AWt | CWt | Jockey | Dr | Sh | BP | FP | WinnerT | Timedif | LBh | Winner |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| COMMENTARY | ||||||||||||||||||
| PU25 | 114 | 11Oct25 | 40 | CL2 | 1600 M | 81 | 7g | 59 | 59 | Bhawani Singh | 6 | A | 7 | 8 | 1-37.50 | 1-39.41 | 12 1/4L | THE MILENIUM FORCE |
| Raced second last early, pushed along from the 600m, turned wide for home, tried to improve in the straight but found little response, finishing seventh without troubling the front-runners. | ||||||||||||||||||
| PU25 | 46 | 16Aug25 | CL1 | 2000 M | 83 | 7g | 50.5 | 50 | Withdrawn | 5 | A | 0 | 2-04.68 | -. | -L | THALASSA | ||
| not run | ||||||||||||||||||
| PU25 | 34 | 10Aug25 | 20 | CL2 | 1800 M | 83 | 7g | 59 | 59 | Bhawani Singh | 5 | A | 5 | 5 | 1-51.85 | 1-54.86 | 18 3/4L | PSYCHIC STAR |
| slowly away and last throughout | ||||||||||||||||||
| PU25 | 7 | 18Jul25 | 20 | CL1 | 1400 M | 85 | 7g | 51.5 | 51 | N S Parmar | 8 | A | 9 | 8 | 1-24.55 | 1-25.77 | 7 1/4L | THALASSA |
| 10th till 800, then 9th till turn, ended 8th | ||||||||||||||||||
| MU2425 | 184 | 06Apr25 | 14 | GR2 | 2400 M | 85 | 7g | 50 | 50 | N S Parmar | 7 | A | 10 | 8 | 2-29.56 | 2-31.44 | 11 1/4L | DYF |
| 9th till 1600, 10th till turn, improved slightly | ||||||||||||||||||
| MU2425 | 144 | 16Mar25 | 12 | CL2 | 1600 M | 86 | 7g | 62 | 57 | Bharat Singh | 1 | A | 8 | 8 | 1-35.46 | 1-36.95 | 9L | PRIDE'S PRINCE |
| graced the wrong end throughout | ||||||||||||||||||
| MU2425 | 111 | 16Feb25 | 19/10 | CL1 | 2400 M | 68 | 7g | 49 | 49 | N S Parmar | 1 | A | 2 | 1 | 2-31.92 | 2-31.92 | -L | REGAL COMMAND |
| last till 800, improved to be 2nd till turn, got stronger on the outside to beat Golden Kingdom close home | ||||||||||||||||||
| MU2425 | 82 | 23Jan25 | 15 | CL2 | 1600 M | 67 | 7g | 53 | 53 | Bhawani Singh | 4 | A | 7 | 4 | 1-36.93 | 1-37.30 | 2L | CHARLIE |
| last till turn, improved on the extreme outside to find the frame | ||||||||||||||||||

