History for the Horse: BLUEMED
| Center | RNo | Date | Odds | Cl | Dist | AR | A/S | AWt | CWt | Jockey | Dr | Sh | BP | FP | WinnerT | Timedif | LBh | Winner |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| COMMENTARY | ||||||||||||||||||
| MS26 | 13 | 03Jun26 | 1200 M | 63 | 5g | 51.5 | 51 | B Nikhil | 8 | A | 8 | 3 | 1-15.07 | 1-15.64 | 3.25L | VANDHIYATHEVAN | ||
| Nice break, raced eighth early behind Smiles Of Fortune, maintained that spot past the 800, turned for home still in eighth, improved under pressure in the straight, moved up between horses late to grab a staying-on third at the post | ||||||||||||||||||
| MS26 | 8 | 27May26 | 11/2 | CL3 | 1400 M | 54 | 5g | 57 | 57 | B Nikhil | 1 | A | 1 | 1-25.19 | 1-25.19 | -L | BLUEMED | |
| CW2526 | 31 | 04Oct25 | 16 | CL3 | 1400 M | 56 | 4g | 57.5 | 57 | M S Deora | 2 | A | 4 | 1-26.78 | 1-28.15 | 8 1/4L | EFFICACY | |
| fourth till 1200, fifth at 800, sixth by the turn, stayed on for fourth | ||||||||||||||||||
| CW2526 | 2 | 30Aug25 | 52 | CL3 | 1200 M | 56 | 4g | 58 | 58 | R N Darshan | 4 | A | 7 | 4 | 1-11.96 | 1-12.92 | 5 3/4L | ROMPING HOME |
| 7th till turn, finishing on to find the frame - note over 1400m - 1600m | ||||||||||||||||||
| CW2425 | 224 | 15Mar25 | 12 | CL3 | 1200 M | 62 | 4g | 59.5 | 59 | Mukesh Kumar | 8 | A | 6 | 5 | 1-11.26 | 1-13.00 | 10 3/4L | RAYS OF SUN |
| 7th till 800, 6th till turn, ended 5th | ||||||||||||||||||
| CW2425 | 165 | 25Jan25 | CL3 | 1600 M | 62 | 4g | 61 | 61 | Withdrawn | 6 | A | 0 | 1-39.21 | -. | -L | STARKOVA | ||
| not run | ||||||||||||||||||
| CW2425 | 140 | 13Jan25 | 15 | CL3 | 1200 M | 62 | 4g | 58.5 | 58 | C A Brisson | 9 | A | 11 | 7 | 1-15.61 | 1-16.60 | 5 1/2L | CELESTE |
| 10th till 800, 11th till turn, ended 7th - note over a longer trip now | ||||||||||||||||||
| CW2425 | 99 | 07Dec24 | 31/4 | CL3 | 1600 M | 62 | 3g | 60 | 60 | P Sai Kumar | 1 | A | 6 | 4 | 1-42.10 | 1-43.03 | 5 3/4L | PERSIAN ROCK |
| 4th till 1400, 5th till 1000, 6th till turn, finishing on to find the frame in the end | ||||||||||||||||||
